Computer Sound Generation and Spatalization is a course in digital composition. You will learn about digital signal processing and how to make and transform your own sounds, as well as those of the external world. You will learn about compositional design and acoustic perception, especially in relation to electroacoustic media. And, we will explore the role of spatialization as a compositional parameter in a surround-sound environment. We will begin with an open source, command-line program called RTcmix (you can download it at RTcmix.org). This program encourages a flexible approach that is complementary to traditional DAW programs. And, there is an RTcmix object that can be used inside the Max-MSP for those of you familiar with that program. You will also have the opportunity to create music using a variety of DAW programs, depending on particular compositional goals. You will have plenty of hands-on experience, both in the required lab (you must register for this as well as the course) and in our class meetings. The course is project based, ranging from the use of digital sound for arranging pre-composed music, to working with a variety of genres, to creating an original final project that will be considered for concert presentation.

Technosonics explores the history, theory and practice of digital music and sound art in the 20th and 21st centuries. Students gain insight into a variety of tools and techniques that have grown and expanded to infuse music of many genres and traditions. From experimental computer music, ambient and dance music, sound art, and multimedia digital tools have made a major impact in the world of music. This course offers a wide view of computer music as “technosonics”. In addition to learning theory and history, students will compose using digital tools for musical creation. No previous music experience is required.