interactive audio-visual experience
Read Moreacousmatic
Where Water Meets Memory (2020-2021)
higher order ambisonic fixed media
Read MoreLumina Proxima (2019)
octophonic personal multi-channel loudspeaker environment
Read MoreOyster Reef Sound Translations (2017-2018)
ecologically-informed immersive data sonification system
Read MoreNo Where (2018)
octophonic work that shifts place and space to dis- and un-place the listener
Read MoreVirginia Barrier Islands Seabird Sonification (2018)
ecologically-informed immersive data sonification system
Read MoreThe Murmurator (2017-2019)
flocking simulation-driven software instrument for collaborative improvisation
Read More“i’m bony and dense” (2016)
octophonic interactive music (with Myo) for dance
Read MoreSculpture Studies (2016)
three short studies using ambisonics
Read MoreHuman Shaped Objects (2016)
cello + electronics album
Read MoreFlare (2016)
electronic music and video for high density loudspeaker array (139.5 speakers)
Read MoreInertia (2015)
musical environment for 10 unmatched speakers
Read MoreImpulse (2015)
stereo acousmatic music for dance
Read MoreRust (2015)
an electroacoustic journey beneath the sea
Read MoreThe Zoo (2011)
an idea of what it may sound or feel like to be inside the cage
Read MoreTouching (2011)
an exploration of close, intimate sounds
Read MoreMoments (2010)
A series of auditory moments circulating against one another.
Read MoreCollage III (2010)
This piece was made with recordings of natural sounds that have all been computer-manipulated, at times stripping them of their inherent rhythm, pitch, sense of space and context, but never entirely. When working with the computer-manipulated sounds I treated them as though they were natural, using their transformed, computer-generated characteristics the same way that I would a natural recording's. This piece was heard on the April 15th , 2010 Oberlin Composition/TIMARA Departments Concert of Student Works.
I See The City (2009)
In this piece I utilize the Latin phrase "Video Urbem" (pronounced "Wi-deh-oh Ur-bem" and meaning "I see the city") as both source material and subject. Travel, be it purposeful exploration or forced abduction, and the resulting effect of familiarity or detachment is explored through changes in content, timbre, and atmosphere. This piece was heard on the December 3rd, 2009 Oberlin Composition & TIMARA Departments Concert of Student Works.
Collage II (2009)
stereo fixed media
Read More